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Unit 10 - Composing

Song Comparison Essay

Musical Toolbox

Songs used for song comparison

Composers Essay

Music is constantly changing in our society; most of these changes have been made in tandem with developments in technology in the past few centuries – the people behind the music, the composers, have helped set the tone for most aspects of life through their music and in this essay I’m going to explore the history behind several famous composers from the past few decades.

 

The first artist I’m going to look at is R.E.M. – from Losing My Religion to Shiny Happy People, their songs have become instant classics with Losing My Religion even being used on the track list for Guitar Hero 6: Warriors of Rock (1). The band originally started out as Peter Buck and Michael Stipe after they met each other in Athens, Georgia while both were attending the University of Georgia – they ‘struck up an unlikely friendship’ (2) and moved in together; from then on, they started messing around with writing songs before officially forming R.E.M. with Mike Mills and Bill Berry a year later in 1981 when they released their first single Radio Free Europe (even though they had unofficially been together since 1980 with their first show being at a friend’s birthday party in an abandoned church in April 1980) (3). In total, the band has had 4 Top 10 singles on Billboard Hot 100 (with the highest being Losing My Religion at No.4), 22 songs overall in the Hot 100, 2 Number 1 albums on the Billboard Hot 200 chart (Out of Time and Monster) and one Top 10 album on The Official U.K. Albums Chart with Collapse Into Now peaking at No. 5 (4). Their album Automatic For The People in particular was one of their most politically charged albums – released in 1991, it covers topics such as Ronald Reagan’s presidential run in America and the AIDs crisis, mainly discussing themes of mortality, especially because it was the “time in your life when your older relatives start going” (Peter Buck, 2017) for the band (5). Ignoreland was the band’s angry political rant about coming up through the Reagan years and with lyrics like “These bastards stole their power from/The victims of the us v. them years/Wrecking all things virtuous and true” (6) they imply that the Republican party used manipulative tactics and propaganda to take power away from marginalised groups in society. One of their most popular songs is Losing My Religion, released as a single from the album Out of Time – on YouTube alone; the music video has accumulated over 600 million views since its re-upload in 2011 (7). The song was named after an archaic expression meaning to be pushed to the limit and the basis of the song – the iconic mandolin riff – originated from guitarist Buck’s attempts to master the mandolin; he played back his attempts from learning the instrument and he felt that that riff in particular would “make a good basis for a song” (8). The lead singer, Stipe, shot down claims that the song came from personal experience when he admitted that he had tried to top The Police’s hit Every Breath You Take while the band were writing the song.

 

The next artist, Coldplay, is easily one of the most popular bands of the last decade; they have had great chart success with 21 overall songs in the Billboard Hot 100, 4 top 10 hits, 4 Number One albums and 1 Number One song (Viva La Vida) as well as collaborations with other artists (namely Beyoncé and The Chainsmokers) for singles and even songs for one of their most recent albums, A Head Full of Dreams – this was their first album in over a decade to not have reached Number One in the Billboard 200 albums chart, however (9). This was also the album they received most criticism on for the album art alone – their design was based around the flower of life symbol that had previously been used for an album cover by Bring Me The Horizon 2 years prior for their album Sempiternal. This resulted in people taking to Twitter to accuse Chris Martin of copying them (10) and built up to the point where Oli Sykes (Bring Me The Horizon’s frontman) smashed up Coldplay’s album at the 2016 NME awards (11). However, he says that it was “in no way a protest against Coldplay” (Oliver Sykes, 2016). Their debut album, Parachutes (released in 2000), gave the band their first Top 5 hit (Yellow) and they even won a Grammy for it in 2003 after touring North America the year prior (12). Their second album, A Rush Of Blood To The Head, was released in 2002 after the events of 9/11 – this heavily inspired the album with their biggest hit – The Scientist – featuring the lyrics “nobody said it was easy/it’s such a shame for us to part” (13). In Coldplay’s 2018 documentary from the start of the band through to the 2015 album of the same name (A Head Full of Dreams), it followed the journey of Coldplay from before they came together as a band in 1996. They met while studying at university where they lived in the same student halls - Guy and Jonny were jamming songs together a year before they formed the band with Chris Martin and Will Champion (14). When Coldplay started, they originally didn’t have a drummer; Will was a friend of the band and despite the others originally asking his flat mate (who was a drummer) to be their drummer, he came and set up before leaving so Will decided to play since he “was the only one left” (Will Champion, 2018) and then Coldplay were officially formed. Chris described A Head Full of Dreams as “the first time we got everything we were always hoping for” (Chris Martin, 2018) in terms of artistic vision when creating the songs for the album – they were finally in a place where they had access to everything they needed to express their ideas musically and visually on stage with everything set up exactly as they wanted.

 

The last artist I’m going to look into is Queen – being one of the most popular bands from the last 40 years, their music has become a staple in society with various songs used throughout media; for example, like R.E.M., their song Bohemian Rhapsody was featured in the track list for Guitar Hero: Warriors of Rock (15) and it was used in the opening sequence of Wayne’s World (16). Another one of their songs – Another One Bites The Dust ­– has been used in multiple movies, including Iron Man 2, The Fast And The Furious (16). They’ve done exceptionally well in the charts with 6 UK Number 1 singles (Bohemian Rhapsody, Innuendo, Under Pressure, Five Live, Bohemian Rhapsody/These Are The Days of Our Lives and We Will Rock You) including one with George Michael, 26 UK Top 10 songs, 21 weeks at Number 1 and 108 weeks in the Top 10 (17). Before Freddie Mercury joined the band, their sound was much different – originally, the band was just Roger Taylor and Brian May under the name ‘Smile’ with vocalist Tim Staffell until his departure in 1971; from 1967 through to 1971, their albums ‘boasted the motto "no synthesizers were used on this record"’ (18) as a way of proving their allegiance with the post-Led-Zeppelin hard rock band surge. Freddie Mercury brought a theatrical element to the band inspired by the glam rock of the late 70s, and through this and their ‘pseudo-classical arrangements’ their unique sound catapulted them to the top of the charts with their song Bohemian Rhapsody (19). However, this success was hardly recognised by music critics at the time – a famous review by The Rolling Stone in 1979 even went as far to label their latest release Jazz as ‘fascist’ and they were never taken seriously by rock critics because of the pop element that synths brought to their songs. Most of their influences came from other British rock bands/artists at the time such as Pink Floyd, David Bowie, The Who, The Beatles and Led Zeppelin. Due to this range of influences, the main genres they played were all sub-genres of rock with psychedelic, hard and pop rock being the most obvious and prevalent throughout all of their music. In 2019, a movie about the band’s entire history – named Bohemian Rhapsody after their most famous song – was released to mixed reviews. While most were positive and praising the movie for it’s accurate portrayal of the late Freddie Mercury (played by Rami Malek), there were quite a few that pulled apart the factual inaccuracies in the film. For example, Fat Bottomed Girls was played during their tour in the early 1970s despite being released in 1974; We Will Rock You was recorded in the wrong year; Freddie wasn’t diagnosed HIV positive until after Live Aid and; Rock in Rio was in the 80s while in the movie it was shown to be in the 70s (20).

References

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1,15 - Qualls, E. (2019). Here Is the Full Guitar Hero: Warriors of Rock Track List - 90 Songs!. [online] Lifewire. Available at: https://www.lifewire.com/guitar-hero-warriors-of-rock-setlist-3562602 [Accessed 12 Dec. 2019].

2 - R.E.M Archive (2018). R.E.M. - December 1992 - Past Present and Future - Documentary. [video] Available at: https://www.youtube.com/watch?v=wXxoBOMSw1c [Accessed 12 Dec. 2019].

3 - Remhq.com. (2019). History | R.E.M.HQ. [online] Available at: https://www.remhq.com/history/ [Accessed 12 Dec. 2019].

4 - Billboard. (2019). R.E.M.. [online] Available at: https://www.billboard.com/music/rem [Accessed 12 Dec. 2019].

5 - Zaleski, A. (2017). Peter Buck of R.E.M.: "How many people write songs when they're 70? I want to be one of them". [online] Salon. Available at: https://www.salon.com/2017/11/03/peter-buck-of-r-e-m-how-many-people-write-songs-when-theyre-70-i-want-to-be-one-of-them/ [Accessed 12 Dec. 2019].

6 - Genius. (n.d.). R.E.M. - Ignoreland Lyrics |Genius Lyrics. [online] Available at: https://genius.com/3215265 [Accessed 12 Dec. 2019].

7 - R.E.M. - Losing My Religion (Official Music Video). (2011). [video] Available at: https://www.youtube.com/watch?v=xwtdhWltSIg [Accessed 12 Dec. 2019].

8 - Webb, R. (2008). Story of the Song: 'Losing My Religion', REM (1991). [online] The Independent. Available at: https://www.independent.co.uk/arts-entertainment/music/features/story-of-the-song-losing-my-religion-rem-1991-897255.html [Accessed 12 Dec. 2019].

9 - Billboard. (n.d.). Coldplay. [online] Available at: https://www.billboard.com/music/coldplay [Accessed 12 Dec. 2019].

10 - Ozzi, D. (2015). Beef of the Year: Bring Me the Horizon Accuses Coldplay of Jacking Their Album Artwork. [online] Vice. Available at: https://www.vice.com/en_uk/article/6wq7v4/bring-me-the-horizon-coldplay-album-artwork-beef [Accessed 12 Dec. 2019].

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11 - Britton, L. (2016). Bring Me The Horizon deny that smashing Coldplay's table was a 'protest'. [online] NME Music News, Reviews, Videos, Galleries, Tickets and Blogs | NME.COM. Available at: https://www.nme.com/news/music/bring-me-the-horizon-8-1199815 [Accessed 12 Dec. 2019].

12 - Genius. (n.d.). Coldplay - The Scientist|Genius Lyrics. [online] Available at: https://genius.com/Coldplay-the-scientist-lyrics [Accessed 12 Dec. 2019].

13 - Coldplay: A Head Full of Dreams. (2018). [film] Directed by M. Whitecross. United Kingdom: Trafalgar Releasing.

14 - WatchMojo (2011). The History of Coldplay. [video] Available at: https://www.youtube.com/watch?v=W44nFF9KxM0 [Accessed 12 Dec. 2019].

16 - Bohemian Rhapsody Wayne's World HD. (2013). [video] Available at: https://www.youtube.com/watch?v=thyJOnasHVE [Accessed 12 Dec. 2019].

17 - Tunefind. (n.d.). Music by Queen. [online] Available at: https://www.tunefind.com/artist/queen [Accessed 12 Dec. 2019].

18 - Officialcharts.com. (n.d.). Queen | full Official Chart History | Official Charts Company. [online] Available at: https://www.officialcharts.com/artist/21275/queen/ [Accessed 12 Dec. 2019].

19 - g, b. (2011). Queen's Influences. [online] Queenbio1.blogspot.com. Available at: https://queenbio1.blogspot.com/2011/02/queens-influences.html [Accessed 12 Dec. 2019].

20 - Radio X. (2019). The biggest factual inaccuracies in the Bohemian Rhapsody film. [online] Available at: https://www.radiox.co.uk/artists/queen/factual-inaccuracies-bohemian-rhapsody-film/ [Accessed 12 Dec. 2019].

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A Head Full of Dreams, Coldplay (2015)

Sempiternal, Bring Me The Horizon (2013)

First song - Say Something

This song is about not knowing where you stand with someone after letting them know how you feel and how confusing it is; they act hot and cold and you're growing tired of it. The bass-and-drums-only intro was inspired by artists such as Nothing But Thieves, Green Day, and Fall Out Boy who use it in their songs ('Hanging', 'Last of the American Girls', 'Dance Dance' etc) because I think it's effective and it makes the structure more interesting as more instruments come in in the verses to build up for the chorus. The melody structure for the verses was inspired by Vicious Love by New Found Glory; the change between the lower, softer part of the range to the higher, more aggressive part from line to line makes the melody less stagnant so it doesn't become repetitive and boring. Also, for the chorus, I just wanted it to

be memorable/catchy so repeating the phrase 'say something' with the notes going up in the melody on each syllable was very good for this because it fits really well with the instrumentation. The bridge structure was influenced by the pre-choruses in 'Flowerball' by The Wombats with the use of pauses/stabs on each line - I used this in my song to have 3 stabs at the end of the second line in the bridge to give the bridge more of a full sound while also changing up the structure from before, especially with the change in key to C until the guitar solo.

- updated version.

Say Something

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Verse 1

Listen baby, I’ve got to know

Who’s loving you now?

Is he as good as you say he is

‘Cause it looks like you’re going to drown

 

Pre-Chorus - F, Gm7, Dm7, C

I see what’s happening

You took your time

Trying to spin this around

 

Chorus - F, Gm7, Dm7, Bb

so if you’re gonna say something, say something

Please don’t just say nothing

That’s just how I feel

If it’s all the same, all the same to ya

I need a break from the

truth before it gets real

 

Verse 2

It’s less new and more of the old

You tend to break your own heart

If you can’t be true to yourself

Then you’re only going to fall apart

 

Pre-chorus

 

Chorus

 

Bridge - C, Dm7, Bb, F

It’s too much

No, it’s too much

The promise from the almost touch

I’m not enough

And your love’s a crutch

 

Guitar Solo

 

Chorus x2

Chords

* - single strum

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Intro - F | F-Gm7- | Dm7 | Bb x2

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Verse 1 - F | F-Gm7- | Dm7 | Bb x2

Listen baby, I’ve got to know

Who’s loving you now?

Is he as good as you say he is

‘Cause it looks like you’re going to drown

 

Pre-Chorus - F | F-Gm7- | Dm7 | Bb | F | F-Gm7 | Dm7 | C*

I see what’s happening

You took your time

Trying to spin this around

 

Chorus - F | F-Gm7- | Dm7 | Bb x2

so if you’re gonna say something, say something

Please don’t just say nothing

That’s just how I feel

If it’s all the same, all the same to ya

I need a break from the

truth before it gets real

 

Verse 2 - F | F-Gm7- | Dm7 | Bb x2

It’s less new and more of the old

You tend to break your own heart

If you can’t be true to yourself

Then you’re only going to fall apart

 

Pre-chorus - F | F-Gm7- | Dm7 | Bb | F | F-Gm7 | Dm7 | C*

 

Chorus - F | F-Gm7- | Dm7 | Bb x2

 

Bridge - C | C-Dm7- | Bb | Dm7-F- | C | C-Dm7- | Bb | F

It’s too much

No, it’s too much

The promise from the almost touch

I’m not enough

And your love’s a crutch

 

Guitar Solo - F | F-Gm7- | Dm7 | Bb x2

 

Chorus/Outro - F | F-Gm7- | Dm7 | Bb x4

Second song - Breathe

Like the first song, this song is also about feeling uncertain about where you stand with someone but it's more about how you start to overthink everything while developing feelings for that person. The use of 2 different vocal parts in the chorus was inspired by bands such as We Are The In Crowd and Hot Milk - while both use female and male vocals across their songs, We Are The In Crowd especially used them for their choruses, for example, in their song Manners where male vocals were added after every line Tay Jardine (lead singer) sang in the second half. Using power chords in a riff was inspired by artists such as The Darkness (I Believe In A Thing Called Love) and Joan Jett (Hate Myself For Loving You). The stabs in the bridge are used to indicate a break from the normal structure - this technique has been used by other artists such as The Wombats (Flowerball) and Fall Out Boy (I Don't Care).

Breathe

 

Verse 1

I think it’s all just a matter of time

Before thoughts of you fill the blank spaces in my mind

‘Cause I’m not one for romance

But I’m one for you

And there’s something enticing

In the way you move

 

Pre-Chorus

So, please let me down

 

Chorus

Tell me what you need

So I can breathe again

(Oh, well

I guess I just lost my only friend)

It’s all the same

The faces, the place, the name

(It’s good to know that it was all in vain)

 

Verse 2

Lights out, count back down from ten

Relish the dark and let the truth set in

Because this isn’t a love song and it never was

I’m just trying to distract myself from giving up

 

Pre-Chorus

So, let me go

 

Chorus

+‘Cause I think I love you

But I just don’t have the time

And isn’t it funny

When all of your secrets are also mine

 

Bridge

I think I love you

(It’s all just a matter, all just a matter, it’s all just a matter, just a matter of time)

‘Cause I think I love you

(It’s all just a matter, just a matter of time)

 

‘Cause I think I love you

But I just don’t have the time

And isn’t it funny

When all of your secrets are also mine

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Chorus

Chords

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Intro - G#m-F#,G#m,F# | B-C#m7-E-D#m7 | C#m7-B-

 

Verse 1 - G#m | Bmaj7 | E-D#m7-C#m7-B x2

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Pre-Chorus - D#m | D#7

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Chorus - E | Bmaj7 | D#m7 | G#m-F#- x2

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Verse 2 - G#m | Bmaj7 | E-D#m7-C#m7-B x2

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Pre-Chorus - D#m | D#7

 

Chorus - E | Bmaj7 | D#m7 | G#m-F#- x4

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Bridge - G#m | Bmaj7 | E-D#m7-C#m7-B x2

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Chorus - E | Bmaj7 | D#m7 | G#m-F#- x4

Third song - Turn It All Off

I am not just what you see

A self professed dichotomy                             - Example of my lyrics (use of metaphors)

A throne of gold, a web of lies

Soon I’ll see past my own demise

This song focuses more on mental health and what it's like feeling suicidal - the instrumentation is used to convey this as well with the use of syncopation in the verses to give a sense of feeling out of place. This is inspired by bands like Fall Out Boy who use techniques like this in their songs so the instrumentation, melody and lyrics all play off of each other to create an atmosphere/give the song meaning beyond the lyrics. The use of synths in the intro and outro is heavily inspired by the band PVRIS because their first album, White Noise, blends real and MIDI instruments/sounds to create more of an ethereal sound which I wanted to replicate to make a unique sound. The bridge in this song was influenced by the song Sweater Weather by The Neighbourhood - while most of the song is more upbeat and sounds full, in the bridge it strips back to just an acoustic guitar and vocals and, in a way, feels like a different song altogether; I found this really interesting to listen to so I wanted to use that too.

Turn It All Off

 

Verse 1 - Bb, Gm7, Dm7, F (C,Bb)

I am not, just what you see

A self professed dichotomy

A throne of gold, a web of lies

Soon I’ll see past my own demise

 

Hook

‘Cause every light is blinding

And every sound is heard

It’s not the life that you wanted

Or the one you deserve

They’ll bring you down

Before you get back up

(get back up, back up)

 

Chorus

You’re reaching out when I’m pulling away

It’s not the same in the light of day

And it’s all pretend

So turn it all off

(Turn it, turn it, turn it all off)

 

Verse 2

All of my dreams, they’re filled with red

I’m scared of my own silhouette

And if it’s real, there’s no regret

How do I get out of my own head?

 

Hook

 

Chorus

 

Bridge - Ebsus2, Cm7, Gm7, Bb/Bbsus2, Ebsus2, Cm, Gm7, F

‘Cause I’m back at the bottom

See myself in the corner

Think “oh no, you’re so far gone”

 

And if it’s not a problem

I’ll be gone by tomorrow

Singing “oh no, you’re so far gone”

 

(singing oh no you’re so far

oh no you’re so far

oh no you’re so far gone

oh no she’s so far

oh no she’s so far

oh god I’m so far gone)

 

Instrumental build up - verse chords

 

Chorus x2

Chords

 

Intro - Bb | Bb-Gm7- | Dm7 | Dm7-F, C, Bb- x4

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Verse 1 - Bb | Bb-Gm7- | Dm7 | Dm7-F, C, Bb- x2

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Hook - Bb | Bb-Gm7- | Dm7 | Dm7-F, C, Bb- x2

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Chorus - Bb | Bb-C- | Dm7 | F | Bb | Bb-Gm7- | Dm7-F-

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Verse 2 - Bb | Bb-Gm7- | Dm7 | Dm7-F, C, Bb- x2

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Hook - Bb | Bb-Gm7- | Dm7 | Dm7-F, C, Bb- x2

 

Chorus - Bb | Bb-C- | Dm7 | F | Bb | Bb-Gm7- | Dm7-F-

 

Bridge - Ebsus2 | Cm7 | Gm7 | Bb-Bbsus2- | Ebsus2 | Cm7 | Gm7 | F x6

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Instrumental build up - Bb | Bb-Gm7- | Dm7 | Dm7-F, C, Bb- x2

 

Chorus/Outro - Bb | Bb-C- | Dm7 | F | Bb | Bb-Gm7- | Dm7-F- x2

Task 3 - Contextual Research

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Similar Techniques That I Use

Like in Headfirst Slide Into Cooperstown On A Bad Bet by Fall Out Boy, I would like to use modulation but instead of changing key for multiple sections (in this case, the post-chorus) I would only modulate to the dominant key for the bridge/middle-eight. I also like the use of metaphors and similes in the lyrics of this song such as 'walls lean in to listen', 'head like a steel trap' and 'footnote in someone else's happiness' - these help to create a story/narrative to match the mood created by the song. I'm also interested by how the melody of the lyrics play off the instrumentation so I want to use that as inspiration in my own writing with harmony placement (at the end of a line) and using the lyrics to help create an atmosphere for a more enjoyable listening experience.

With the instrumentation as well, it keeps a relatively simple structure with AABA (binary) while using chord inversions (A/E is used in the key change) but uses techniques like funk strumming patterns, bass lines and distorted guitars in sections (verses/chorus) contrasted by a clean one (post-chorus).

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